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  • Eyeheight Announces Development of complianceSuite Plug-ins for Media Composer 11th April 2011
    footage prior to submission to any file based quality assurance system According to Eyeheight Research and Development Director Simon Pegg complianceSuiteMC will include powerful tools that guarantee legalization and graphics compliance The tools enable post production staff to guarantee that programmes and interstitials are fully compliant The comfortable and familiar interface will provide extremely precise measurements and controls and therefore peace of mind Included in the suite will be legalEyesMC a precision fully vectorized floating point video legalizer plug in optimised for use with high end video source files legalEyesMC control will enable users to choose from extensive built in presets or work in custom mode with full access to 15 customization parameters Facilities administrators can configure which presets are available create new presets and even disable the custom option to ensure that only approved configurations are available safeEyesMC will be designed as a safe area generator plug in that provides an extensive range of broadcast safe area markers covering all the requirements for SD HD and 2K including 16 9 and 14 9 requirements in SD safeEyesMC will also include an integral measurement tool that provides a simple and reliable way to check text height for regulatory compliance with

    Original URL path: http://www.gsd.gr/site/index.php?option=com_content&view=article&id=272%3Aeyeheight-announces-development-of-compliancesuite-plug-ins-for-media-composer-11th-april-2011&catid=1%3Anea&Itemid=213&lang=el (2016-02-15)
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  • EDITSHARE REVS ITS WORKLOW FROM ASSET MANAGEMENT TO ARCHIVE – WHAT TO SEE ON THE EDITSHARE BOOTH AT NAB 2011
    user interface and much more New high performance mid range Energy Series XStream Solid State Drives performance benchmarked at 2 6GB per second 6Gb s performance for all drives 10Gb bonding Support for Avid DS EDITING LIGHTWORKS AND LIGHTWORKS OPEN SOURCE EditShare is demonstrating both the commercial Lightworks editor featuring advanced stereoscopic 3D capabilities that are currently used on Scorsese s 3D film Hugo Cabret as well as the phase one release from the Lightworks Open Source initiative Lightworks Open Source is the industry s first large scale open source development initiative for a non linear editing NLE platform A departure from standard third party developer programs that limit access Lightworks Open Source offers an unprecedented gateway into the NLE s core engine enabling a wide range of creative developers to implement forward thinking features and workflows Lightworks NAB Newsworthy Highlights Include Over 100 000 downloads from website Major productions using Lightworks The Kings Speech Hugo Cabret Hanna More hardware I O support Matrox MXO2 AAF integration with Avid and Pro Tools Stereoscopic adjustment tools Open Source PRODUCTION ASSET MANAGEMENT EDITSHARE FLOW Flow offers comprehensive media management capabilities for tracking assets across the production chain Advanced features such as Edit While Capture and Bandwidth Controlled File Based Ingest add a level of control over productions that set Flow apart from its peers Rapid production tools such as Flow Templates Projects and Bins enable users to begin the pre editing process during ingest The patent pending EditShare Universal File Technology gives users the space efficiency and convenience of single format editing without sacrificing metadata tracking across the workflow New Flow Features Support for AVC Intra SDI and File Ingest Support for ProRes in Flow Scan Full metadata support for NLEs including clip sequence and marker metadata Restore content offline clips directly

    Original URL path: http://www.gsd.gr/site/index.php?option=com_content&view=article&id=271%3Aeditshare-revs-its-worklow-from-asset-management-to-archive--what-to-see-on-the-editshare-booth-at-nab-2011&catid=1%3Anea&Itemid=213&lang=el (2016-02-15)
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  • EDITSHARE MASTERS THE MULTI-CAMERA PRODUCTION WORKFLOW AT SOUTH PACIFIC PICTURES
    available to anyone who needs to view or edit it In the show s previous workflow it would take up to a week for footage from a scene to be available for editing Location footage recorded on P2 with the DVCProHD 100 codec is transferred to the XStream and scanned into Flow where proxy files and database entries are generated Bailey sees the EditShare tapeless end to end workflow as a major boon to the soap opera which just made the transition from SD to HD this season Paul Hayes of the EditShare Australia Pacific team emphasized the importance of integrated archives It was extremely important for SPP to protect the footage and edit decisions for Shortland Street from acquisition through archive and retrieval In addition to EditShare s RAID 5 architecture SPP has the added security of EditShare Ark Disk and two Ark Tape LT05 backups allowing both on and off site protection which has resulted in a reduction in the company s insurance premium The combined power of Flow and Ark allows SPP to browse proxy clips of everything in the archive and bring back high resolution versions with minimal effort Feature Highlights of the EditShare Workflow at SPP Geevs records directly to digital files eliminating costly VTRs from the capture process with full quality Replay to review and critique takes Media is recorded directly to the EditShare XStream shared central storage with user level security mirror copy and offsite backup in EditShare Ark Content is available immediately for editing During recording EditShare Flow the production asset management system creates low res proxy files in real time that everyone can then view from their desktop eliminating tapes and DVDs while significantly improving the review quality and time Users can review and rough cut media via EditShare Flow and

    Original URL path: http://www.gsd.gr/site/index.php?option=com_content&view=article&id=270%3Aeditshare-masters-the-multi-camera-production-workflow-at-south-pacific-pictures&catid=1%3Anea&Itemid=213&lang=el (2016-02-15)
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  • EDITSHARE SHOWCASES END-TO-END, MULTI-CAMERA WORKFLOW SOLUTION AT NAB 2011
    Liebman founder and CEO EditShare We are providinge killer app features here For instance with our Geevs ingest and playout servers Yyou can record directly to the EditShare central storage in just about any NLE format while simultaneously recording to more cost efficient EditShare local storage for redundancy and getting automatic backup to EditShare Ark after each take The recently updated Geevs broadcast servers Geevs provides an instant replay of all camera angles after each takeas soon as the shooting stops making it fast and efficient for directors to review takes in high resolution Meanwhile in Flow other members of the crew can view proxy clips that are made in real time during recording This is a tremendous benefit for reviewing takes on the fly EditShare Ark systems the as well as automated backup to Geevs can even GPI triggerscapture take in GPI triggers from a video switcher to createmake NLE sequences that based on iso recordings that can be played back in Flow and that can be dragged into Avid or Final Cut Pro multi cam edits direct from the studio to the NLE timeline in the time it takes you to drag and drop There s no VTR No no transcoding or digitizing anywhere in the process The EditShare solution platform is just faster more efficient and more reliable than anything else on the market tremendously fast and far more efficient in terms of cost upkeep and reliability Highlights of the End to End Workflow Geevs captures multiple channels of HD video in any codec Apple ProResRORES Avid DNxXHD DVCPro HD AVCD intra or XDCAM and records files directly to EditShare s shared storage systems as well as to local storage for redundancy FlowGeevs also automatically generates proxy files for quick and easy viewing in Flow over a

    Original URL path: http://www.gsd.gr/site/index.php?option=com_content&view=article&id=269%3Aeditshare-showcases-end-to-end-multi-camera-workflow-solution-at-nab-2011&catid=1%3Anea&Itemid=213&lang=el (2016-02-15)
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  • EDITSHARE UPS THE ANTEY; INTRODUCES NEW PRICE-BUSTING, HIGH-PERFORMANCE MID-RANGE SHARED STORAGE SOLUTION AT NAB 2011
    server or expansion chassis EditShare first exhibited in Las Vegas eight years ago offering a single 2TB shared storage system said Andy Liebman founder and CEO of EditShare This year we showcase a robust tiered storage environment featuring the brand new price busting Energy Series along with Xstream our highest performing shared storage solution XStream which can scale to petabytes said Andy Liebman founder and CEO of EditShare We have always been about giving customers tremendous value and our new mid range Energy shared storage models out perform comparable solutions like Avid ISIS 5000 at a price point that is significantly more attractive The new EditShare Energy Series offers the full range of EditShare innovation including Avid and Final Cut Pro project sharing Project sharing lets editors draw on the same central pool of media and work in the same project simultaneously freely and safely sharing raw material bins and sequences No per seat license and media optimized Gigabit and 10 Gigabit Ethernet connections support workgroups and high stream counts with simplicity and cost effectiveness EditShare Energy Feature Highlights include Outstanding Performance Outperforming its competitors the new mid range Energy Series has a benchmarked performance of 700MB s per 16 drive for a 3U system Comprehensive Resolution Support EditShare shared storage systems support a wide range of resolutions from DV25 up to 1 1 HD 1080i 60 10bit full 2K DPX Industry Leading Real time Project Sharing EditShare Energy is the only mid range shared storage solution to offer advanced storage project sharing with sequence and bin locking for Avid Apple FCP and Lightworks editors Real time Collaboration Energy facilitates real time media sharing for users of Avid Media Composer Avid DS Final Cut Pro Lightworks Adobe Premiere Adobe After Effects EDIUS Smoke Resolve Digital Vision and more Economical Scalability

    Original URL path: http://www.gsd.gr/site/index.php?option=com_content&view=article&id=268%3Aeditshare-ups-the-antey-introduces-new-price-busting-high-performance-mid-range-shared-storage-solution-at-nab-2011&catid=1%3Anea&Itemid=213&lang=el (2016-02-15)
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  • Snell and The Application Store Demonstrate Morpheus-Driven Screentoo App at the 2011 NAB Show
    and interactive and timeline sensitive elements within the Screentoo app Snell s Morpheus is good fit for our Screentoo app because it can accommodate the volume and granularity of information required by second screen apps said Vincent Parisis CEO at TAS a London based developer specializing in translating brand expressions such as popular TV programs into engaging mobile and tablet experiences In particular the MediaBall element of Morpheus is a uniquely powerful feature that provides valuable flexibility in handling the metadata that makes the second screen model effective The Screentoo app is available for media and broadcast organizations to distribute as their own branded applications to provide services such as voting polls chat and e commerce related to and customized for a specific show or channel The very accurately timed metadata provided by Morpheus enables the Screentoo app to provide the consumer with options that correspond directly to events within the primary broadcast Metadata about both the program and program contents allow the Screentoo app to trigger targeted advertising provide information about a character or actor in the show or launch a viewer poll In addition to providing robust performance for delivery of content to media consumers television screens Morpheus

    Original URL path: http://www.gsd.gr/site/index.php?option=com_content&view=article&id=267%3Asnell-and-the-application-store-demonstrate-morpheus-driven-screentoo-app-at-the-2011-nab-show&catid=1%3Anea&Itemid=213&lang=el (2016-02-15)
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  • Apantac Debuts TAHOMA-DE-12/16 “Universal” Multiviewer at NAB2011
    DVI VGA YPbPr YC Composite as well as 3G HD SD SDI sources for multi image display One of the most compact Universal Multiviewers on the market the TAHOMA DE 12 16 supports up to 16 inputs in 2RU The TAHOMA DE 12 16 complements the TAHOMA DE 4 8 which were launched at NAB last year All TAHOMA DE models support DVI HDMI VGA outputs at resolutions up to 2048x1080 50 60 Hz including support for 1080p They also support an optional HD SD SDI output The TAHOMA DE Multiviewers include an integrated CATx extender for extending sources up to 115 feet Apantac s TAHOMA platform utilizes a skin technology that allows users to customize their on screen display of graphics including borders labels fonts tally LEDs clock faces logos embedded audio discrete audio meters and audio video alarms Video windows on the display may include multiple labels and support UMD OMD IMD and standalone labels TAHOMA DE Multiviewers include 16 channels of embedded audio per input with 4 channels of discrete analog or digital audio as an option Audio can be associated with the video windows or work as standalone audio meters Analog or AES audio options can

    Original URL path: http://www.gsd.gr/site/index.php?option=com_content&view=article&id=266%3Aapantac-debuts-tahoma-de-1216-universal-multiviewer-at-nab2011&catid=1%3Anea&Itemid=213&lang=el (2016-02-15)
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  • Apantac Debuts TAHOMA-Mini-Q Multiviewer at NAB2011
    a single display It supports output resolutions up to 1920 x 1200 including 1080p It can be used as a standalone quad split Multiviewer or expanded to a full system where up to eight hot swappable TAHOMA Mini Q modules can be combined in a 3RU rack frame with hot swappable redundant power supplies The TAHOMA MiniQ is based on the standard Apantac TAHOMA architecture which divides operational modules into

    Original URL path: http://www.gsd.gr/site/index.php?option=com_content&view=article&id=265%3Aapantac-debuts-tahoma-mini-q-multiviewer-at-nab2011&catid=1%3Anea&Itemid=213&lang=el (2016-02-15)
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