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  • Sony F65
    Apple Film light Quantel Sony and many others For maximum operational flexibility the SR R4 can also support SStP same as HDCAM SR recording which can be used natively on the same NLEs PrimeSupport This product comes with the full PrimeSupport package That s fast hassle free repairs a helpline offering expert technical advice and a free loan unit while yours is repaired Plus the peace of mind that Sony is looking after your equipment and your business FEATURES Super 35mm CMOS sensor with 20 Mega pixels The F65 features superb image quality in HD 2K and True 4K There is a choice of format composition as required including 1 85 1 1 78 1 1 66 1 1 33 1 2 35 spherical 1 3x anamorphic or 2x anamorphic cropped The F65 has a 14 stop latitude high sensitivity and ultra low noise It offers filmic colour reproduction with an unrivalled colour gamut Compact and light weight Smaller and lighter than the F35 the F65 allows for even easier handling for applications such as Steadicam Records on to SRMemory with dockable SR R4 SRMASTER Portable Recorder The SR R4 is a 4K recording system specifically designed for Sony s new top of the line F65 cinematography camera It takes full advantage of the ultra high speed SRMemory platform to record super rich RAW data from the F65 at speeds as fast as 5 Gbps SRMemory is unique nothing can match its combination of capacity sustained data throughput security and portability It opens up completely new ways for end users to work With huge transfer speeds up to 5 Gbps SRMemory media also has massive capacity up to 1TB for long recording times Wide range of interfaces for on set workflow The F65 provides 16bit RAW output for recording onto

    Original URL path: http://www.gsd.gr/site/index.php?option=com_content&view=article&id=282%3Asony-f65&catid=1%3Anea&Itemid=213&lang=el (2016-02-15)
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  • Site map
    Monday February 15 2016 The Company Services Products Works Contact Website Sitemap Main Menu The Company Services Products Works Contact Top Menu Site map News Home 2011 General Systems Design

    Original URL path: http://www.gsd.gr/site/index.php?option=com_jmsitemap&view=sitemap&Itemid=238&lang=en (2016-02-15)
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  • General Systems Design ΑΒΕΕ
    διαθέσιμη μέσα Μαΐου Exmor Super 35 CMOS NXCAM E mount εναλλάξιμο σύστημα φακών και ενσωματωμένο εγγραφέα σε μνήμες Memory Stick PRO Duo ή Κάρτες SDHC AVCHD Η G S Design ABEE στην προσπάθεια ενημέρωσης της αγοράς σας διαθέτει προς επίδειξη 1 Άνευ Χρέωσης 2 την κάμερα PMW F 3 με τρείς φακούς PL 35 mm 50 mm 85 mm για να την χρησιμοποιήσετε 3 στην παραγωγή σας και να ανακαλύψετε πως μπορείτε να έχετε υψηλή ποιότητα εικόνας με χαμηλό κόστος εξοπλισμού και επεξεργασίας Σύντομα το Demo kit της PMW F 3 θα συνοδεύεται με ένα nanoFlash recorder της εταιρίας Convergent Design με δυνατότητα εγγραφής σε μνήμες Compact Flash με δειγματοληψία 4 2 2 έως 280 Mbps Long Gop ή I Frame Από τον Ιούλιο 2011 θα έχουμε στο Demo kit και τον εγγραφέα Gemini 4 4 4 της ίδιας εταιρίας με δυνατότητα εγγραφής σε δίσκους SSD ασυμπίεστου σήματος 10 bit 4 2 2 4 4 4 dual link και 3 D Η NEX FS 100 E θα είναι διαθέσιμη εντός Μαΐου προς επίδειξη 1 Η διάθεση προς επίδειξη γίνεται μια φορά ανά πελάτη και με μέγιστη διάρκεια 3 ημερών 2 Η εταιρία διατηρεί το δικαίωμα να ζητήσει ανά περίπτωση προσκόμιση εγγυήσεων ανάλογη με την αξία του εξοπλισμού πριν την παραλαβή προς επίδειξη 3 Η εταιρία σε κάθε περίπτωση διατηρεί το δικαίωμα να αρνηθεί την παραχώρηση προς επίδειξη του εξοπλισμού Προτεινόμενα Προϊόντα Sony PMW 500 XDCAM HD422 Camcorder recording HD material at up to 50Mb s onto Solid State media Sony PMW F3 Super 35mm Full HD Compact Camcorder with 35mm 50mm and 85mm lenses Gemini 4 4 4 Revolutionary Uncompressed HD Video Recorder HD 2K 4 2 2 4 4 4 10bit S Log Dual Link 3G 16 Channels Snell Kahuna 360 A Revolution in Live Production Apantac Multiviewer LX

    Original URL path: http://www.gsd.gr/site/index.php?option=com_content&view=frontpage&Itemid=1&lang=el (2016-02-15)
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  • News
    NAB Show 18 Apantac Debuts TAHOMA DE 12 16 Universal Multiviewer at NAB2011 19 Apantac Debuts TAHOMA Mini Q Multiviewer at NAB2011 20 Apantac Debuts TAHOMA DL Hybrid Multiviewer at NAB2011 21 Clear Com Expands Partners with Key Italian Distributors 22 Clear Com Distributes Optocore Intercom Interfaces 23 Clear Com Unveils HME DX210 Wireless Intercom System 24 Clear Com Introduces Tempest900 Digital Wireless Intercom System 25 Clear Com s Concert Enabled in AP s ENPS Application at the 2011 NAB Show 26 Quantel delivers more tools and enhanced workflow for Post and DI 27 Quantel launches Mission 2 28 Quantel reports 40 increase in profits in H1 FY2011 29 Quantel introduces raft of new features for Enterprise sQ 30 Quantel launches Qube broadcast editor more speed less cost 31 Quantel demonstrates powerful new Stereo3D tools 32 Sky Sports News enhances operations with Quantel 33 NAB Quantel introduces transparent workflow for XDCAM HD with sQ Fileflow 34 Quantel launches QTube global media workflows become a reality 35 Sony and Wimbledon serve a 3D Ace 36 Sony Digital Cinema Partners With Vue Cinemas To Bring 4K Experience To Audiences Nationwide 37 RSI becomes the first media company to use Sony Professional s Media Backbone as an open platform for file based workflows 38 Plazamedia expands its range of monitor equipment 39 Sony acquires Hawk Eye a global leader in live sports tracking solutions 40 Sony Professional expands its family of NXCAM products 41 France Télévisions selects Sony Professional to optimise its broadcasting and exchange infrastructure 42 Sony delivers world s first live 3D opera broadcast 43 Sony delivers world s first live 3D opera broadcast 44 Sony premieres next generation of SRMASTER technology 45 Sony premieres next generation of SRMASTER technology 46 Sony unveils first shoulder mount Professional 3D Compact Camcorder 47

    Original URL path: http://www.gsd.gr/site/index.php?option=com_content&view=category&id=1&Itemid=213&lang=en (2016-02-15)
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  • MFT and E mounts offer even greater flexibility for filmmakers and filming photographers
    to be available beginning in June Exactly a year ago Carl Zeiss introduced the Compact Prime CP 2 series during the NAB Show in Las Vegas They are the first lenses with interchangeable mount developed specially for filming with HDSLR cameras Since then there has been significant demand for these lenses among cinematographers and still photographers adding new video services Carl Zeiss is now adding a new chapter to its Compact Prime CP 2 success story With these new mounts we respond to many of our customers wishes asking to use the lenses on these new HD video cameras said Holger Sehr Product Manager for Cinematography lenses at Carl Zeiss AG Camera Lens Division Thanks to the interchangeable mounts now for five different camera systems PL EF MFT F and E mount our Compact Prime CP 2 lenses deliver superb flexibility can be used in many different market segments and are attractive for both end customers and rental houses With the interchangeable mount and the 24x36 mm full format image circle illumination these latest members of Carl Zeiss compact lens family are extremely versatile During the NAB Show Carl Zeiss will present all nine fixed focal lengths of Compact Prime

    Original URL path: http://www.gsd.gr/site/index.php?option=com_content&view=article&id=276%3Amft-and-e-mounts-offer-even-greater-flexibility-for-filmmakers-and-filming-photographers&catid=1%3Anea&Itemid=213&lang=el (2016-02-15)
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  • Zacuto Reveals New Products and More at NAB
    can flip up 180 degrees The optical viewfinder contains high quality 2 5x optics with anti fog shields and a diopter The anti fog is extremely important for reducing fog It will also include extender frames The Z Finder Extender Frames allow you to further adjust the focal point of the Z Finder by semi permanently stacking the frames via a snap fit onto the skirt of the Z Finder until the LCD screen is in focus for you 5 Zwiss Plate Z ZWP The Zacuto Zwiss Plate is Zacuto s multi purpose mounting plate It allows you to mount articulating arms rods batteries converter boxes and various other camera accessories to your support system Unlike other cheese plates the Zwiss Plate has two sets of industry standard 15mm rod holes spaced 60mm apart This allows vertical mounting onto standard 15mm rods A second set of rods can be mounted through the top of the plate if you wish to extend your rig at another level The red levers enable you to securely mount the plate onto your rods The Zwiss Plate is also designed to work with our new Wireless Plate Picture Coming Soon for mounting multiple wireless receivers You can use the Zwiss Plate to mount a variety of accessories or brick style batteries and battery plates The Zwiss Plate works with both 3 Stud and V Mount style batteries The battery plate and battery mounted on the Zwiss Plate can double as counterbalance You can still add more counterbalance by adding our Z Lite weights to the back of the rig along with the Zwiss Plate Our Zamerican quick release arms mount directly into the 15mm holes of the plate and are perfect for mounting lights monitors and audio devices The Zwiss plate is also the only accessory you will ever need to mount the AJA Ki Pro Mini to your rig With plenty of ¼ 20 and 3 8 16 holes your mounting options are limitless 6 EVF Tri Mount Kit Z ETM The EVF Tri Mount Kit gives the option to mount the EVF in 3 different ways It gives you the option to use the EVF Standard Mount when shooting handheld off the side of the Zacuto DSLR Baseplate the Extender Viewfinder Mount when shooting on a tripod or dolly or in quick release hotshoe mount configuration see detailed images The Tri Mount includes the EVF Standard Mount as well as a 7 M F rod and a ZUD ¼ 20 The 7 M F rod allows you to use the EVF in an extender viewfinder position To use the extender viewfinder mount remove the EVF Mount from the Z Mount Zwivel then screw the 7 M F rod into the EVF Mount and then slide the Z mount Zwivel wherever you like so that you can position your EVF to your desired position The included ZUD ¼ 20 allows you to free the camera and EVF from your rig and mount it quickly

    Original URL path: http://www.gsd.gr/site/index.php?option=com_content&view=article&id=275%3Azacuto-reveals-new-products-and-more-at-nab&catid=1%3Anea&Itemid=213&lang=el (2016-02-15)
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  • Eyeheight Introduces New Production and Post Production Tools 9th April 2011
    match audio loudness to a target LKFS level KARMAudioAU performs an 8x oversampling true peak analysis and corrects for true peak overshoots Uniform scaling is applied to match the content with a predefined LUFS loudness target without affecting overall audio dynamic range or image position KARMAudioAU then performs an 8x oversampling true peak analysis and corrects for true peak overshoots KARMAudioAU now also supports the EBU R 128 standard and includes a loudness bypass mode which makes it a pure PPM limiter for delivery to end users who don t yet have loudness based audio specifications In the hardware domain Eyeheight s new KA 2 loudness processor offers KARMAudioRT for real time unattended adaptive loudness and true peak correction of stereo 5 1 surround dual stereo or dual 5 1 surround audio to provide the perfect loudness safety net Eyeheight s new LE 2 K legalizer also utilizes KARMAudioRT to combine flexible video gamut correction with loudness and true peak processing for ultimate transmission compliance Both products address the need for tighter control of audio levels during television transmissions particularly the relative levels of programmes and interstitials Both conform to the ITU R BS 1770 recommendation and are suitable for

    Original URL path: http://www.gsd.gr/site/index.php?option=com_content&view=article&id=274%3Aeyeheight-introduces-new-production-and-post-production-tools-9th-april-2011&catid=1%3Anea&Itemid=213&lang=el (2016-02-15)
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  • Eyeheight in Compliance with Final Cut Plug-ins
    Final Cut environment According to Eyeheight Sales Director Martin Moore The complianceSuiteFC includes very powerful tools that ensure legalization and graphics compliance across multiple platforms The tools enable post production staff to guarantee that programmes and interstitials are fully compliant The interface is comfortable and familiar and provides extremely precise measurements and controls and therefore peace of mind The latest update from Eyeheight was released within days of the publication of new Digital Production Partnership DPP specifications a major technical collaboration between top UK broadcasters that provides specific legalization and safe area settings to meet all DPP requirements as well as the latest SMPTE ARIB EBU and ITU graticule specifications Included in the suite are legalEyesFC a precision fully vectorized floating point video legalizer plug in optimised for use with high end video source files legalEyesFC exploits the floating point 4rfl and floating point RGB render formats and supports any combination of file formats and source colour space available in Final Cut legalEyesFC control enables users to choose from extensive built in presets or work in custom mode with full access to 15 customization parameters Facilities administrators can configure which presets are available create new presets and even disable the

    Original URL path: http://www.gsd.gr/site/index.php?option=com_content&view=article&id=273%3Aeyeheight-in-compliance-with-final-cut-plug-ins&catid=1%3Anea&Itemid=213&lang=el (2016-02-15)
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